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Vittore Carpaccio
The Stoning of Saint Stephen
1520
Staatsgalerie, Stuttgart
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Vittore Carpaccio
St.Thomas in Glory between St.Mark St.Louis of Toulouse
1507
Staatsgalerie, Stuttgart
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Vittore Carpaccio
The Lion of St.Mark
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Vittore Carpaccio
Portrait of a Knight
1510
Thyssen Collection, Lugano
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Vittore Carpaccio
St.George the Dragon
1502-08
Scuola di San Giorgio degli Schiavoni, Venice
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Vittore Carpaccio
Madonna and Blessing Child
c1505
National Gallery of Art, Washington DC
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Vittore Carpaccio
The Flight into Egypt
1500
National Gallery of Art, Washington DC
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Vittore Carpaccio
The Virgin Reading
c1505
National Gallery of Art, Washington DC
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Vittore Carpaccio
Holy Conversation
Musee du Petit Palais, Avignon
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Vittore Carpaccio
Stephen Preaching at Jerusalem (mk05)
Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812
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Vittore Carpaccio
Scenes from the Life of St Ursula (mk08)
The Pilgrims are met by Pope Cyriacus in front of the Walls of Rome
Tempera on canvas
281x307cm
Venice Galleria dell'Accademia
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Vittore Carpaccio
Two Venetian Ladies on a Balcony (nn03)
c 1495/1500
Oil on panel 164 x 94 cm 64 1/2 x 37 in Museo Correr Venice
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Vittore Carpaccio
Warriors and Orientals
mk67
Oil on canvas
26 3/4x16 9/16in
Uffizi,Gallery
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Vittore Carpaccio
Cureof a Lunatic by the Patriarch of Grado
mk68
Oil on canvas
12x12
Venice,Accademia Gallery
1494
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Vittore Carpaccio
Saint Augustine in His Study
mk68
Oil on canvas
4' 71/2x6' 10"
c.1502
ltaly
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Vittore Carpaccio
Meeting of the Betrothed Couple (detail)
1495
Tempera on canvas
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Vittore Carpaccio
The Dream of St Ursula
mk156
1495
Tempera on canvas
274x267cm
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Vittore Carpaccio
Venetian Ladies,known as the courtesans
mk157
c.1490
Oil on wood
94x61cm
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Vittore Carpaccio
Triumph of St. George
mk157
1502-07
Oil on canvas
141x360cm
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Vittore Carpaccio
Christ on the Mount of Olives
mk157
1501-03
oil on canvas
141x107cm
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| Vittore Carpaccio
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Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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